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Hear the Best New Folk Music with Fresh Cuts Friday

Ready for some of the best new music we’ve heard this week? It’s a great list as you’ll see below — and as you’ll hear when you join me for my ‘Fresh Cuts’ radio hour! Listen every Friday at 2 p.m. Eastern, 11 a.m. Pacific via the 24/7 stream on our website, app, or your smart speaker.

Or, just click on the Fresh Cuts stream whenever it’s convenient for you.

In the meantime, check out some of the best new music we’ve been listening to this week.

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Willie Nelson, “Lost Cause”

Willie Nelson’s 153rd album overall, Last Leaf On the Tree, features songs hand-picked by his son & producer Micah. The record is filled with songs by younger generations of songwriters that suited Willie’s voice and personality, including a devastating cover of Beck’s “Lost Cause.”


Eilen Jewell, “The Pill”

Due November 15, Butcher Holler is Eilen Jewell’s reissue of her Loretta Lynn tribute album, named for the little Kentucky town where Lynn was raised. Jewell reflects,  “The amazing thing about ‘The Pill’ is that it still feels edgy today, nearly 50 years after its original release. Loretta infused it with so much sassy defiance that, even now, when I sing it live and reach the phrase ‘now I’ve got the pill,’ some fans pump their fists while others clutch their pearls. It still strikes a nerve, a testament both to how effective this song is and how little progress we’ve made in this country in terms of reproductive rights.”


Josh Kaufman, “Glow in the Dark Owl”

Album on repeat alert: I was pleasantly surprised to learn that one of my favorite musicians, Josh Kaufman (Bonny Light Horseman, The Hold Steady, etc. and so on, has released an instrumental album. This has been on repeat in my house for the last couple of weeks, particularly “Glow in the Dark Owl,” which has some super warm fall vibes.


Fionn Egan, “Headphones”

The Cork-based musician Fionn Regan released one of the most epic debut albums nearly 20 years ago in 2006. Today, a new Regan album is out, O Avalanche. Regan says: “It’s like you’re looking into this world where there’s a depth of field, it’s summer, and you’re floating into and out of it. The songs can come together in the moment, so it’s not a conscious thing, but when I listen to the record it feels like there’s an eternal optimism about it – a kind of upward-feeling energy.”

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