Merlefest 2014 happened last weekend (4/24 – 27) in Wilkesboro, North Carolina, with a stellar lineup that hopped back and forth from bluegrass standards to contemporary singer-songwriters, old time music, various fusion styles, and beyond.
Here’s a look at a few of the best moments from days one and two:
Since their debut in 2002, the Duhks have been one of the most creative and energetic bands on the acoustic music circuit, straddling lines between folk, bluegrass, jazz, and pop with remarkable flexibility. But, since frontwoman Jessee Havey left the group in ’07, they’ve been through a number of personnel changes, ups and downs, and an eventual somewhat-hiatus. Now, the Duhks are back in all their original glory – their new album, out next month, includes Havey, Tania Elizabeth, Leonard Podolak, Scott Senior, and Jordan McConnell. Though Havey and Podolak were the only ones who made it to Merlefest (bringing with them Colin Savoie-Levac on guitar and Rosie Newton on fiddle), their appearances were some of the biggest, most obvious early highlights of the weekend. The dynamism and artistry popping between these musicians is unmatchable, and it’s nice to see them back in action.
The Carolina Chocolate Drops stand up now
Rhiannon Giddens may be the only remaining original member of the Carolina Chocolate Drops, but that doesn’t mean the band has lost much in its various transitions. Giddens is, of course, a powerful singer and gifted fiddler, but the rest of the new lineup is no slouch either. On the mainstage Thursday night, they moved through a collection of old CCDs favorites (“Cornbread and Butterbeans” and “Sourwood Mountain” stood out, in particular) and newer material as well. There was abundant, emphatic spoon-playing, fiddling, and bass thumping. And, setting the new CCDs apart from the old, the whole band spent the entire set standing up instead of seated, front-porch-style, in chairs.
Tim O’Brien & Darrell Scott singing to a field of hippies and country bumpkins, “Dance You Hippies, Dance.”
Probably, O’Brien and Scott wrote this song specifically for moments like this, gracing the Watson Stage at Merlefest somewhere around dusk, singing to a field packed with vibrant hippies and folks from the country, alike. Indeed, Merlefest has one of the most interesting mixes of crowd dynamics – from the mountain folks to the country twangers, the hippy jammers and the city folks (with their myriad festival gear) who’ve driven in from Raleigh and Nashville. There is no more perfect intersection between all those people’s interests than the collaboration between Tim O’Brien and Darrell Scott; and their set was, it goes almost without saying, quite well-received. But, this song in particular had to make you stop and giggle.
Alan Jackson plays (really good) bluegrass
For those who grew up listening to country music radio in the 1980s and ’90s, Alan Jackson’s “Chattahoochie” was a touchstone classic. This time around, though, Jackson is dipping his bucket in the bluegrass well. His set was full of old school-style bluegrass of the sort that would make Bill Monroe proud.
Todd Snider on the Hillside Stage
The prolific, subversive American troubadour played the most rousing set possible from a solo singer-songwriter sitting in a chair at the center of a stage, entertaining a packed crowd on a rainy hill. Twenty years after releasing his debut album, Songs for the Daily Planet, Snider is at the top of his game. (Hopefully the top of his game will last a good long while.) He pulled his set from across those two decades, and the crowded audience was rapt, even as the rain came and picked up. A few people departed for shade, but those of us who remained were treated to a seemingly impromptu run through the less-frequently-played verses of Woody Guthrie’s “This Land Is Your Land.”